Application of Chinese Folk Art Patterns in Animation Design

Application of Chinese Folk Art Patterns in Animation Design Research on the Application of Chinese Folk Art Patterns in Animation Design Keywords: Fine arts, folk art, animation design, traditional culture, application. Abstract. Chinese folk art is the working people in the long life practice created by the art form of great aesthetic value and cultural connotation, because there is plenty of animation resources, mature image design experience and rich folk culture characteristics, animation image of the design has a very strong reference value. Folk Art in the animation image design applications outstanding performance in the shape, color and other visual elements and by giving current cultural elements and learn from foreign cultural elements and innovation. Chinese folk art is an important element of all ethnic art heritage, is one of the important art in accordance with our current development, the creation of the working people to beautify the environment, rich folk customs and daily life for the purpose of popular art. Chinese folk art is colorful, such as: pottery, stone carvings, paintings, paper-cut, have accumulated working people appreciate beauty, it reflects our colorful folk art. The Chinese animation heritage of the art features, the integration of Chinese folk art of color, conception, composition and other characteristics, the Chinese animation in the world animation market has created one after another new situation, so that our animation a place in the world. Folk art in our possession long national culture in an important position, it is the continuation of our original art, and show a strong vitality and profound historical and cultural heritage. We analyze the characteristics and present situation of folk art, study of its application in the design of animated features for creative folk have the characteristics of modern animation propose specific measures and recommendations. Introduction Folk Art Plastic Arts inherit the national culture of the visual image, which embodies the strong local flavor and life of human labor in the most pristine art thinking, and with a real, positive emotions. Animation as a young form of artistic expression, and promote the heritage and development of folk art. Folk art is an important national art content, contains the value and beauty of Meaning, it is a source with the development of human civilization spread far, of course, with advances in technology in constant change and innovation, different ethnic Times has its own unique folk art, China is no exception. Folk Art left a rich artistic property, to posterity a rich theme in the animation design and learn resources. Various products on behalf of Chinese art all have their own characteristics, are also closely related between them, closely linked Folk Art is art created by the working people personally, the creative process with the color, the shape of the deployment, configuration and design are from the hands of the masses, it added a layer of decoration for the United States society, but also enrich their daily lives to express their vision of life, the United States point of view, in their generation to generation, continuous development of innovative forward. With the leap in recent years, science and technology, the development prospects of Chinas folk art is also not optimistic. Chinese folk art has a long history, rich heritage, ancestors left us a huge treasure trove of wisdom are parents, and parents for their hard work inseparable. Our folk art everywhere, and range, many aspects are involved. For example: paintings, prints, painted lantern painting class, it is breathtaking;   toys, working people make aesthetic toys with clay, paper, etc., to add a variety of childhood memories of the United States; there is, they use bamboo grass with wicker woven into one aesthetic of daily necessities to the people tiring day adds to appreciate beauty; of course, like our clay statues, figurines, stone, etc. to better reflect the Chinese folk art is profound, both these works of art show the daily life of art, gave posterity to appreciate beauty. Of course, this is only a small part of folk art, thousands of years, folk art has been throughout the life of the working people, but also penetrate into our everyday practice, we have always regarded them as our mo st important art property, especially in recent years, people are increasingly aware of the importance of folk art, increasing the variety of protective measures, so that these folk art can be more perfect spread. Figure.1 Folk arts and crafts The Proposed Methodology Characteristics and status of folk art.Folk art are territorial, it embodies the different folk customs of different regions, such as folk dress material Northern winter is leather, wool, felt, the south is more of cloth, hemp, silk; civil hand-knit northern straw, reeds, south bamboo and rattan weave the purpose. Folk art has mass, is the collective wisdom of the working people, labor and civil life is a celebration embodies the most simple folk life. Folk art is practical a lot of folk arts can not only use, but also enrich public life, creating beauty and joy, such as folk lantern. Folk art has inheritance, it is a historical process of development of cultural continuity and succession, as paintings, Lu shadow, etc. It is the heritage of people from generation to generation, reflecting its unique culture and art forms. Our wide variety of folk art, such as paintings, paper cutting, shadow play, clay, puppets, printing and dyeing, they reflect the folk life, auspicious beautiful, with strong local flavor and local color, and form their own artistic style. Folk art is our precious artistic heritage, inheritance and development of different ways, but with the continuous impact of economic development, peoples vision gradually wide, the status of folk art and degree of attention is being reduced, as has been the lack of well protected and attention, so that folk art extinction rate today is accelerating. With renewed awareness of this precious artistic heritage of folk art, a variety of protective measures and systems are pay attention to it, how to protect the heritage of folk art and become a major issue. As a contemporary sunrise industry, the medium of animation for the inheritance and development of folk art has played a catalytic force, learn folk art essence, create their Chinese characteristics , a new image animation animation creator became a sacred mission. Inspiration Folk Art of Animation design.Our animation design style is in the period of gradually explored, in the shape of the image of creativity and expression as well as lack of shape in the form of imitation means heavier, originality is not prominent, modeling language rather monotonous, lack of artistic vitality. Animation creator animation style too much respect for Japan and the US, the traditional Chinese local culture lack of knowledge, it is difficult to break through in the original design. Animation design in the training of personnel, lack of curriculum for Chinese traditional culture, draw less design philosophy of traditional Chinese elements in the animation modeling language has some limitations. Folk Woodcut New Year Painting is a gradual development and evolution of evil, decorate holiday custom environment. More content is good luck, business fortune, slayer of evil auspicious patterns. Animation design, you can draw pictures of exaggerated, full of style, composition plane symmetrical manner, which reflects its decorative sense of fun. Animation modeling on color matching can also use colorful pictures, pay attention to color and other characteristics correspond to enhance the visual sense of the screen. Folk shadow styling features and silhouettes, paper-cut hollow shape and the same, and more is a side image. Animation design can draw on its image exaggerated features, emphasizing the flat and decorative shapes through different articulation, the movement in line with the movement of the animation, there are some fun. Many of the folk art has a rich modeling language, as animation modeling design and shape, you need to learn the folk art styling, while innovative design more in line with the animation image of contemporary aesthetic needs. Folk Art in Modern Art Design Animation.Folk art form of language lessons and lessons can be reflected in the animation design in every aspect. Firstly screenplay experience its spiritual essentials, to determine the type of animation; secondly, to collect performance material modeling language, design style first draft; again, to determine the role of style, design character renderings, dynamic maps, emoticons, turn-sectional view, clothing diagram, the proportion of maps, maps props; and finally, complete animation modeling artwork, mention the color line. Design animated image.In the early development of Chinas animation industry, folk art is widely applied to the design of the animated image, and achieved good results. Folk art in China has a very long history, from the murals to the Han Dynasty brick, paper cutting from northern Shaanxi to Tianjin clay figurines, paintings from Weifang to Shaoxing opera, are forms of folk art. In addition, the design of the characters also has a very rich experience, these design experience and skills for animated image designs, has a very good reference guide, which is the most typical drama. Theatre is one of the widely popular folk art forms of folk art in terms compared to other, more emphasis on characters design, which is the most typical mask and clothing. Folk cultural identity.Folk art is the art form of the working people in their daily work in the formation of a strong national cultural identity and cultural characteristics of these peoples for the animated image of the design is also very necessary. With the national aesthetic features animated characters easier stand in the column of the animation world. Application of visual elements. Modeling refers to the external form of the animated character, unique and rich ethnic flavor of role modeling can be attracted attention of the audience in the shortest possible time, to lay the foundation for the success of animation works. Folk art modeling techniques used in animation character design is very extensive, such as lines, shapes, and so on. Figure.1 Animation design Color is the main feature of folk art, folk art in the development process of China for thousands of years, different colors are formed different aesthetic connotations, cultural symbolism and even apply the law, these colors constitute the Chinese folk art color system. Animated Image Design Innovation. Application of Folk Art in the animated image is not simply rote, but to carry forward the grand, its essence, discard the dross. Also requires creators to innovate based on the historical background, the aesthetic needs of the community and other factors and otherwise, not only difficult to achieve the purpose of the application of folk art, but also restricting the development of the animation industry. Folk art innovation in the animation image design, and must rely on contemporary culture, in line with the aesthetic pursuit of modern people, therefore, folk art in the animation image design applications must fully take into account the age requirements, in which the given moment of culture element. Learn from foreign cultural elements.Folk art innovation in the design of the animated image cannot be behind closed doors, but also need to learn to absorb moderate foreign cultural elements. On the basis of keeping their own culture on each other, the localization of foreign cultural elements, the elements of international folk art. As we all know, the current world animation industry, the focus in Japan and the United States. US animation industry technology-driven, is a typical flow of technology, which for our country to promote the animation industry modernization, enhance the technological level of the animation industry has an important role in guiding, Japans animation style is clear that the type of diverse and delicate emotions, very textured, which enhance the quality of animation works great benefit. Thus, when applied to animated image of folk art designs, we should pay attention to absorb the United States as the representative of the animation technology to Japan on b ehalf of the animated texture, thereby enhance the overall image of the animation design level. Drama mask is one of the important manifestations of theater, through abstraction, exaggeration, etc., so that the characters face patterning, symbolic, usually intuitively revealed the character and attitude of the hero characters feature; secondly, theater costume design is also very complicated , different character modeling complemented by color, different forms of clothing, these garments to show the personality traits have important secondary significance. In the animation, the creators of folk art fusion to broaden involves animation, animation development to a higher level; at the same time, you want the animation to widen the audience of all ages, so that our animation spread more long, wider. In short, the Chinese folk art bits and pieces can be integrated into the animation design, make Chinese animation reached its peak in development, the task of our contemporary art is to our young folk art and animation integrate, will carry forward our animation . Our folk art to express irony or sometimes praised and so emotional, but also in the shape of the use of certain hyperbole, using a variety of similar shape to express the mood, such as animation Monkey, Pig, us, God of the land, etc., have the shape of a certain exaggeration, but they have certain meanings on some feudal society reflects the dissatisfaction of some of the savior reflects the desire and longing like. Conclusion Folk art into animated image designs, to cartoon characters designed to provide sufficient nutrients to provide a valuable resource for the image animation image design, experience, technology, it has a rich folk culture, too. In the creative process designs of cartoon characters in the whole animation, it should be fully absorbed the cultural characteristics of folk art and aesthetics. Of course, the image of folk art in the animation design is not static it should be to dig deeper spirit of our national culture, with the modified animation modeling language, the spirit of the times and integrate contemporary aesthetic concepts, creating more artistic charm of the animated image. Reference 1. Xing, Baixi, et al. Emotion-driven Chinese folk music-image retrieval based on DE-SVM. Neurocomputing 148 (2015): 619-627. 2. Bastos, Flà ¡via, and Enid Zimmerman. Connecting Creativity Research and Practice in Art Education: Foundations, Pedagogies, and Contemporary Issues. National Art Education Association. 1916 Association Drive, Reston, VA 20191, 2015. 3. Lijuan, Xu. The relationship between Folk Furniture and Folk Culture of Puxian [J]. Furniture Interior Design 1 (2014): 029. 4. Rom, Avital H. Zhuo Sun: The Chinese Zheng Zither: Contemporary Transformations.(SOAS Musicology Series.) xiv, 269 pp. Farnham: Ashgate, 2015. £ 65. ISBN 978 1 4724 1667 4. Bulletin of the School of Oriental and African Studies 79.3 (2016): 699-701. 5. Si, H. U. A. N. G. Analysis and thoughts on the Teaching Pattern of Chinese Folk Dance Education. Journal of Beijing Dance Academy 1 (2013): 006.

Middleware Essay

What is middleware? The term middleware is defined by one’s point of view. It is used to describe a broad array of tools and data that help applications use networked resources and services. Some tools, such as authentication and directories, are in all categorizations. Other services, such as coscheduling of networked resources, secure multicast, object brokering and messaging, are the major middleware interests of particular communities, such as scientific researchers and business systems vendors. One definition that reflects this breadth of meaning is â€Å"Middleware is the intersection of the stuff that network engineers don’t want to do with the stuff that applications developers don’t want to do. † Why is middleware important? Middleware has emerged as a critical second level of an enterprise IT infrastructure, sitting on top of the network level. The need for middleware stems from the increasing growth in the number of applications, in the customizations within those applications and the number of locations in our environments; these and other factors now require that a set of core data and services be moved from their multiple instances into a centralized institutional offering. This central provision of service eases application development, increases robustness, assists data management, and provides overall operating efficiencies. Okay, so it is important. Lots of things are these days. Why is it urgent? There are several drivers bringing middleware to campus; Advanced scientific computing environments such as PACI are placing requirements on campus researchers for middleware services such as authentication and directories. Library projects such as the UCOP/Columbia certificate project will be extending across a broader higher ed community . The Federal government is preparing requirements for digital signatures for student loan forms. New versions of software, such as Windows 2000, come with the tools to build ad hoc middleware components. What is urgent is that the campus builds a coherent infrastructure to respond to these drivers. What makes the higher ed and research communities distinctive in its need for middleware? Many companies and other communities of interest are rapidly understanding the importance of middleware to their missions and are proceeding with development. Higher education faces unique technical and policy issues in its deployment. Technical issues include the mobility of students, the diversity of equipment, and advanced application requirements. Policy issues include ownership of data, FERPA and other public records issues, and extended collaborative relationships. Together these considerations make the middleware deployment significantly harder within higher education. When middleware becomes part of the IT environment, how critical will a robust infrastructure be? The middleware components of the future IT environment will be every bit as critical as the underlying network infrastructure, requiring 7Ãâ€"24 service, high-performance, and appropriate redundancy. Directory services will be receive millions of hits per day; identifiers will have explicit control mechanisms; attribute services will be invoked by almost every application on campus; lawyers will place stringent operational constraints on security services. Is middleware a centralized or distributed issue on campus? It is both. Like network services on campus, there is a need for a consistent infrastructure across campus that is best provisioned centrally. At the same time, much of the contents of this infrastructure are best maintained by the individuals themselves and their departments. The trick is to create a centrally coordinated service that provides tools and authority for distributed management of the contents. Aren’t we going to get middleware from the commercial marketplace? It is certainly the case that most basic middleware products that higher education will deploy commercial products, from broad software companies such as Microsoft and Novell, and from specific product providers such as Netscape, HP, and ATT. However a number of distinctive characteristics of the higher ed community create design considerations that in turn cause complex implementations. In addition, the research part of the academic enterprise needs additional discipline-specific middleware that is likely not going to attract a commercial interest. Finally, the collaborative nature of higher education suggest interoperability issues that must be addressed within the community. What kind of investments will campuses need to make? Like networking, middleware will require considerable commitments of time and money. However, the types of costs are different. Networking has required large sums of capital (for fiber, routers, switches, etc. ) and considerable operating costs (for external access, maintenance, etc. ) Personnel costs have been relatively modest. For middleware, the hardware costs (servers, readers, etc. are likely to be relatively low. Software costs are unclear now, but there are clearly considerable expenses in building bridges to legacy systems and evolving middleware-enabled applications. Unlike networking, there is a second major cost component in middleware – process time. A campus must develop consensus and support for the need for middleware, clarify data ownership and management issues, specify relationships among individuals, groups and information technology objects, establish legal agreements and change the way that information is managed on the campus. How does the Internet2 Middleware Initiative intend to address these needs? Efforts will focus on advancing the level of middleware within higher education through a set of related activities, including fostering technical standards, aggregating and disseminating technical design and implementation strategies, fostering opportunities for vendors and Internet2 members to shape and deploy products, and integrating efforts with particular scientific and research communities. What should campuses be doing now? It is not to early for campuses to begin the processes that address the â€Å"policy-side† of the challenge, building awareness about the need for middleware, identifying key constituencies that will be involved in the process, and taking basic inventories of the data and management relationships on campus. At the same time, experimentation in the core technologies, most notably in directory services, should be undertaken.

Alcohol Is the Worst Drug in the United States

Alcohol is the Most Dangerous Drug in the United States Alcohol is more harmful than any other drug. Despite this fact, alcohol is still legal in the United States. There are many types of illegal drugs that are well known for their harmful consequences to humans but it is, in fact, alcohol that causes more harm than all of the illegal substances. A 2010 study by the Independent Scientific Committee on Drugs ranked alcohol as â€Å"most harmful† drug on a list of 20 drugs. Alcohol ranked higher than crack and heroin when the potential harm to individuals and others was examined. Alcohol causes physical, psychological and social problems.Alcohol is a depressant that affects every part of the human body. Alcohol affects the part of the brain that controls coordination, memory, judgment and decision-making. Each year, more than 5,000 people under the age of 21 die from underage drinking. Another 1,900 die from car accidents. And still more people die from alcohol-related homicide s, suicides and other alcohol-induced accidents. Alcohol costs the U. S. over 184. 6 billion dollars in 1998, according to the National Institute on Alcohol Abuse and Alcoholism. This cost was more than the estimated cost of all other illegal substances put together-$143. billion-during 1998. Although alcohol has been dubbed the most harmful drug, it is not the drug that does the most harm to an individual. In fact, alcohol earned this dubious honor because of the effect that alcohol has on the people around the alcoholic. Herion, crack cocain and metamfetamine are much more harmful to a person’s body than alcohol is. In a later study in the British Medical Journal, alcohol was found to be the fourth most dangerous drug after heroin, crack and crystal meth. This same study deemed alcohol to be the second most dangerous drug to society.Some people say that alcohol should be banned. Despite the overwhelming evidence that alchol is very bad for indivduals and their loved ones, a lcohol remains legal in the U. S. During the 1920’s the US banned alcohol during a time called Prohibition. This policy is considered to have been a failure because it lead to more organized crime, increased alcoholics and negatively impacted the economy. Alcohol continues to be advertised on television and radio, apparently enticing people to continue to buy and drink alchol. Alcohol will always be legal. Alcohol is a big part of our American culture.It is embraced and celebrated by people of all ages every day. Our country is not prepared to make the consumption of alcohol illegal. Doing so would clog the court systems, lead to corruption of officials and cripple the U. S. econmy due to the lost tax money generated by the sale of alcohol. People do need to be educated on the dangers of alcohol so each person can make the best decision for themselves and their family, which would be to avoid alcohol alcohol all together. References Alaraki, M. (2010). Alcohol is society†™s most dangerous drug. Retrieved from http://www. dailyfinance. om/2010/11/01/alcohol-is-societys-most-dangerous-drug/ Nutt, D. J. , (2010). Drugs harms in the UK: a multicriteria decision analysis. The Lancet 376(9752), 1558-1565. Doi: 10. 1016/50140-6736(10)61462-6 Grohol, J. M. (2010). Alcohol the Most Dangerous Drug? Probably not. Retrieved from http://psychcentral. com/blog/archives/2010/11/01/alcohol-the-most-dangerous-drug-probably-not/ Neurobonnkers. (2012). The largest ever study in to drug harms places alcohol in the top four. Retrieved from http://neurobonkers. com/2012/08/06/the-largest-ever-study-in-to-drug-harms-places-alcohol-in-the-top-four/

Common Theory About The Origin Of Aids - 1962 Words

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